Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . nswould have been practically complete if other twospecimens could have been procured. The first wasto illustrate the introduction of the transfer print intoStaffordshire by a photograph of a bat print producedby Adams, of Cobridge, in 1775. Secondly, an aquatintof Wedgwoods about 1780. Inquiry after them hasfailed to procure copies. Readers must, therefore, tryand fill up these gaps for themselves, really or these two defects, the illustrations, showingthe evolution and dev
Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . nswould have been practically complete if other twospecimens could have been procured. The first wasto illustrate the introduction of the transfer print intoStaffordshire by a photograph of a bat print producedby Adams, of Cobridge, in 1775. Secondly, an aquatintof Wedgwoods about 1780. Inquiry after them hasfailed to procure copies. Readers must, therefore, tryand fill up these gaps for themselves, really or these two defects, the illustrations, showingthe evolution and development of the transfer print,have fairly well covered the ground for the latter halfof the 18th century. In the 19th century the potterswho accomplished transfer work began to crowd oneach others heels. Their name now is legion. Itwould be a vain task to attempt to date them insequence. My object was to restrict the illustrationsin section A to the period 1750-1800. The othersections (B, C and D), have each a different point ofview to illustrate as has been already explained. ii8 Plate No. The Plates in D Section are miscellaneous and supplementary to the other divisions. i
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Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondonchapmanandha
