. George Meredith; his life and friends in relation to his work. Mr Pinnock forputting limits to the right claimed by certain novel-ists to mash into literary pulp their friends, acquain-tances, and the world in general—which was aknowing or unconscious slash at Meredith , indeed, figured as the chief actor in the evidence was parodied by, I understand,Rudolph Lehmann in Punch (19th December, 1891)in a skit called By George! — a most excellentsimulation of Merediths style. It was accompaniedby a clever cartoon by E. J. Wheeler of George-in-the-Box, showing Meredith popping u
. George Meredith; his life and friends in relation to his work. Mr Pinnock forputting limits to the right claimed by certain novel-ists to mash into literary pulp their friends, acquain-tances, and the world in general—which was aknowing or unconscious slash at Meredith , indeed, figured as the chief actor in the evidence was parodied by, I understand,Rudolph Lehmann in Punch (19th December, 1891)in a skit called By George! — a most excellentsimulation of Merediths style. It was accompaniedby a clever cartoon by E. J. Wheeler of George-in-the-Box, showing Meredith popping up as aJack-in-the-Box before the catechising counsel withPinnocks manual in hand. In the same issue of 220 GEORGE MEREDITH Punch was a skit entitled Illegal Fictions, alsodealing with this matter. Apparently no one engaged in the case was awarethat George Meredith and Alfred Burdon Ellis wereconnected by family ties, involving the history ofEvan Harririigton and Major Strike, and that itwas a curious and unperceived link with the greatnovelists early o « OpH-6v
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