International studio . ng. The principle involvedhas become a familiar, not to say hackneyedmaxim of art to the young painter, who con-scientiously remembers and applies it, if seldom with originality or distinction. But WilliamChase who perceived and conclusively demon-strated with his touch this rhythmic law inart remains still past master in the use of influence upon modern art was not onlythrough the silent influence of his art itself. Hehad enormous classes of pupils in New York,Philadelphia and Hartford, and for a short timein Chicago and California, in addition to his sum-mer
International studio . ng. The principle involvedhas become a familiar, not to say hackneyedmaxim of art to the young painter, who con-scientiously remembers and applies it, if seldom with originality or distinction. But WilliamChase who perceived and conclusively demon-strated with his touch this rhythmic law inart remains still past master in the use of influence upon modern art was not onlythrough the silent influence of his art itself. Hehad enormous classes of pupils in New York,Philadelphia and Hartford, and for a short timein Chicago and California, in addition to his sum-mer school at Shinnecock and the summer studentexpeditions to Europe. Many of his pupils be-came themselves painters of note. All must havelearned something of the right appreciation andtrue spirit of art. And in another way not gen-erally reahzed. Chase contributed with utter un-selfishness to the cause of art. For thirty-fiveyears he served upon the jury at the large annualexhibitions, not only giving opportunity and en-. HIS DAUGHTIiR DOROTHY UY WM. M. CHASE
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