. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. -, Eng-land, is somewhat more representative. Four of the win-dows are arranged in some order, though we feel likedemanding a fifth window over the door, and a sixth atthe doors right side. The beams, too, seem to reveal ARCHITECTURAL REPRESEATA TION. 339 something of the mode of construction, and of the ar-rangement of the interior, though of this last we are notcertain. At the same time, this cottage is more interest-ing than that in Fig. 185. In Fig. 187, page 340, a cottage at Tuesley, we c
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. -, Eng-land, is somewhat more representative. Four of the win-dows are arranged in some order, though we feel likedemanding a fifth window over the door, and a sixth atthe doors right side. The beams, too, seem to reveal ARCHITECTURAL REPRESEATA TION. 339 something of the mode of construction, and of the ar-rangement of the interior, though of this last we are notcertain. At the same time, this cottage is more interest-ing than that in Fig. 185. In Fig. 187, page 340, a cottage at Tuesley, we cannotice a decided increase in representative features. Thewindows on the second floor placed, as they are, just over. FIG. 186.—COTTAGE AT SANDHILLS, page 338. the openings on the first floor, show some regard forartistic effects. The vertical beams on the outside of thelower floor apparently give us a clew to the separationsbetween rooms in the interior, while the projection overthe lower windows indicates the place of the second storysfloor. 340 PAINTIiVG, SCULPTURE, AND ARCHITECTURE. Fig. i88, page 341, the inn at Chiddingfold, contains allthe representative features of the last with some is still more interesting, because still more emphasis isgiven in it to the entrances, to the separations betweenstories, and to the chimneys. The front projection belowthe second floor makes a covering for the doors ; and
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