L'Escuyer a la rider of the mule is a dwarf. Because he is on the ridingier, he looks just as big as his female companion. He is wearing a big hat with plumes on the head and is shouted in boots with traces. The woman is in her open Jap with low décolleté, patting cut sleeves and a raised batist collar deposited with lace, dressed according to fashion around 1634. She has the hands in a fur sleeve. Why not she is on the mule, but next door is mentioned in the caption. The dwarf needs his ridingier because he cannot keep up with the woman. Moreover, he is paralyzed! If we are short leg
L'Escuyer a la rider of the mule is a dwarf. Because he is on the ridingier, he looks just as big as his female companion. He is wearing a big hat with plumes on the head and is shouted in boots with traces. The woman is in her open Jap with low décolleté, patting cut sleeves and a raised batist collar deposited with lace, dressed according to fashion around 1634. She has the hands in a fur sleeve. Why not she is on the mule, but next door is mentioned in the caption. The dwarf needs his ridingier because he cannot keep up with the woman. Moreover, he is paralyzed! If we are short legs and his paralysis not literally, but in a transferable sentence, it becomes clear that Isaac does not only show the fashion of 1634 here, but that the print can seamlessly fitting into his other ambiguous prints from that year.
Size: 1590px × 2500px
Photo credit: © BTEU/RKM / Alamy / Afripics
License: Licensed
Model Released: No
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