. Portrait . well organ-ized, and is sure to do its bit in making the conventiona live meeting. The board feels that it is not too early for all photog-raphers to begin to lay their plans to attend a conven-tion which wdll be of exceptional educational value, andone which will not omit any detail that will bring eitherprofit or pleasure to those present. A Remarkable Photograph Probably of the thousands of readers of Portraitw^ho viewed the solar eclipse of June 8, only a very fewthought of attempting to photograph it. The interesting picture here reproduced was madeby Mr. Goodrich of the Rive
. Portrait . well organ-ized, and is sure to do its bit in making the conventiona live meeting. The board feels that it is not too early for all photog-raphers to begin to lay their plans to attend a conven-tion which wdll be of exceptional educational value, andone which will not omit any detail that will bring eitherprofit or pleasure to those present. A Remarkable Photograph Probably of the thousands of readers of Portraitw^ho viewed the solar eclipse of June 8, only a very fewthought of attempting to photograph it. The interesting picture here reproduced was madeby Mr. Goodrich of the Riverside Studio, Reno, 26-inch extension bellows was used and the lens wasan ordinary rapid rectilinear stopped down to 1{q yellow filter was used and an ordinary portrait exposure was i/ioo second. The image measuredonly a quarter of an inch in diameter on the originalnegative. The enlargement from which this reproduc-tion was made is on Enlarging Cyko Contrast Platdouble weight. PORTRAIT. The Solar Eclipse of June 8th PORTRAIT The Negative and the Printing Paper WHILE there is the very great range of develop-ment printing papers—a great range, that is, asregards the degree of contrast produced—yet onthe whole, papers of this kind are susceptible of beingplaced in one or other of two large classes—namely,those which are hard in working and those whichare soft. In a general way the former are the choiceof the amateur photographer and the latter that of theprofessional portraitist. Yet there is no essentialreason why this should be the case except that in thegreat majority of cases negatives made in a professionalstudio conform more or less closely to a standard ofquality which is a relic of the days when all printingwas done on P. O. P., or even further back than that,when the albumen process was in vogue. Thus, theprofessional negative is usually of a kind which has aconsiderable range of tones from something like clearglass in the shadows to a fair d
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Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, bookidpo, booksubjectphotography
