Michiel Natalis. Mary Magdalene at the Feet of Jesus in the Home of Simon the Pharisee. 1630–1668. Flanders. Engraving in black on cream laid paper Michael Natalis likely reproduced Peter Paul Rubens’s painting of Mary Magdalene (1618/20; the State Hermitage Museum, Saint Petersburg) without direct supervision from the artist. Rubens worked closely with a school of engravers, etchers, and woodcutters to create compositions that were organic extensions of their originals. Natalis’s work is stylistically one step further removed from its original in its stiffer handling of line and may in fact h
Michiel Natalis. Mary Magdalene at the Feet of Jesus in the Home of Simon the Pharisee. 1630–1668. Flanders. Engraving in black on cream laid paper Michael Natalis likely reproduced Peter Paul Rubens’s painting of Mary Magdalene (1618/20; the State Hermitage Museum, Saint Petersburg) without direct supervision from the artist. Rubens worked closely with a school of engravers, etchers, and woodcutters to create compositions that were organic extensions of their originals. Natalis’s work is stylistically one step further removed from its original in its stiffer handling of line and may in fact have been produced in Antwerp after Rubens’s death. The engraving’s substantial size, while smaller than the original, does however recall the scope of Rubens’s ambitions for paint and print media alike.
Size: 3000px × 2222px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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