. A short history of art . eriors in a silvery mistiness which helpsthe expression of their sentiment, and in his out-door subjectsveiling the scene in subtle atmosphere. In this way he ex-erted a profound influence over his Holland rendering of the quantity and quality of lighted at-mosphere has become the distinctive characteristic of thewhole modern school in Holland. In figure subjects Israels most conspicuous follower hasbeen Albert Neuhuys (1844- ). His pictures of peasantwomen and children are sunnier in key and in spirit thanhis masters, and in recent years have show
. A short history of art . eriors in a silvery mistiness which helpsthe expression of their sentiment, and in his out-door subjectsveiling the scene in subtle atmosphere. In this way he ex-erted a profound influence over his Holland rendering of the quantity and quality of lighted at-mosphere has become the distinctive characteristic of thewhole modern school in Holland. In figure subjects Israels most conspicuous follower hasbeen Albert Neuhuys (1844- ). His pictures of peasantwomen and children are sunnier in key and in spirit thanhis masters, and in recent years have shown a tendency toexcessive prettiness and sentimentality. A sterling painter,with a joy in colour, is Christoffel Bisschop (1828- ),who bases his views of interiors on the work of Pieter deHooch and Jan Vermeer. The earliest of the modem landscapists of Holland wasJohann Barthold Jongkind (1819-1891). Even beforeMonet and Seurat adopted the division of colour, Jong-kind used it, and discovered for himself a style of vigorous. o ?J II
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
