Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . ed throughout, wherever the figuration of Example 111 occurs,except in tlie,/ and,/ passages where the Great Organ is employed. In tliis latter ease, thesustained tones will follow the analogy of Example 90 or Dl, or the sustained tones maybegiven to the left liand. At the climax of the fiolo, the Great Organ (both hands) may be reijuired. Previous to this,the following form may be adopted a
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . ed throughout, wherever the figuration of Example 111 occurs,except in tlie,/ and,/ passages where the Great Organ is employed. In tliis latter ease, thesustained tones will follow the analogy of Example 90 or Dl, or the sustained tones maybegiven to the left liand. At the climax of the fiolo, the Great Organ (both hands) may be reijuired. Previous to this,the following form may be adopted as an organ equivalent. It has the advantage of allowingthe a(!companist to follow witli case tlu^ slight accelerando which the singer, ahiiost instinctively, ADAPTATION OF PIAKO AND OKCHESTKAL TO JHE ORGAX. lOi falls into at this jjoint of the solo. It is also easier for the right hand to join the left upon the Great Organ at the climax of the solo in die judioiir (See piano score of Stabat Mater.) The change to the Great Organ from the form employed at Example 111 would evidently be abrupt, the right hand there resting upon the Swell and the left upon the Choir Organ. Example Accomp. to this poiut as in §2fe^z tfc :kt -^ 1 I) V -^-M-V ^ On accompanying the duet, Quis est homo ? from the same Stabat,- the essential cases whereInversion is to fiffure -t-v-s--rat about this range—namely: —7 ~—^—^^r\ is accompanied in the piano score by harmonies generally lying This would seem to warrant the inversion of the chord held upon the second manual on the principle advanced in the remarks under Example 103,although, in the case referred to, the chord was a diminished one. This will be found lessadvisable in case of the duet mentioned, on account of certain chromatic progressions of the twovoices which the student will do well to examine in the work itself. Should the chord of the second manual be placed in a higher inversion, as, for instance. it
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
