. The story of Verona . isanswerable for so much damage in Verona is also heldresponsible for the state of disorder to which thisheterogeneous mass is reduced. The flood disarrangedthe Museum ; and time and money do not yet seem tohave been found wherewith to repair the mischief thencaused. The pictures are on the first floor, and are for themost part the works of Veronese masters. The firstroom, known as the Sala Bernasconi, has a fine butfaded picture by Paolo Farinato (No. 13) of Christshown to the multitude. No. 32 is an early butgraceful work by Titian of the Madonna and Childand St John.
. The story of Verona . isanswerable for so much damage in Verona is also heldresponsible for the state of disorder to which thisheterogeneous mass is reduced. The flood disarrangedthe Museum ; and time and money do not yet seem tohave been found wherewith to repair the mischief thencaused. The pictures are on the first floor, and are for themost part the works of Veronese masters. The firstroom, known as the Sala Bernasconi, has a fine butfaded picture by Paolo Farinato (No. 13) of Christshown to the multitude. No. 32 is an early butgraceful work by Titian of the Madonna and Childand St John. No. 34, a Madonna and Child, andSt John the Baptist with two angels, is said to be byPerugino; and much of it probably is by him, the restby one of his pupils. Room II. has several good pictures, though not allare by the artists to whom they are ascribed. No. 86,for instance, is a lovely Presentation in the Temple,v/ith a forged signature of Gian Bellini. No. 88 is aHoly Family by Andrea del Sarto, but so cleaned as210. CAVAZZOLil S DLIOSITION IROM THE CKOSS Picture Gallery to leave little of the original. No. 90 is a Madonnaand Child that from its likeness to the fresco in is said to be by Pisanello. No. 92 a Madonna,Francesco Caroto, restored and hard. No. 97, apowerful and authentic portrait by Antonio 120, a Madonna and Child with St Joseph byPerugino. No. 121, a graceful Annunciation byGarofolo. No. I55> a Madonna and Child with twoSaints by Francia; a picture full of the charm thatthis Bolognese master rarely fails to exercise. , ic8, and 154, are all by Caroto, though in hisearlier rather than in his best and later pictures in this room are by good masters buthung so high that all effort to judge of them isvain. Room III. has no work in it which demands especialattention. Room IV., No. 24O, a Madonna by Giolfino;a hard and somewhat cold picture though notlacking in expression. No. 243, a Madonna en-throned, with saints and angels;
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Keywords: ., bookcentury1900, bookdecade1900, booki, bookpublisherlondonjmdent
