Modern harmony, its explanation and application . ing-notes, 61 scale, 5, 48, 53, 69, 148chordal origin, 53 system, 40Wider tonal relations, 15Wind instruments, 193 machine, 193 Witches Sabbath, 193Wolf-Ferrari, 20, 154 Zanella, 178 THE END BILLING AND SONS, LTD., PRIWTKR3, GUILDJTOBD. V V ^5^^^^. AUGENER BOSTON MUSIC CO., BOSTON The relation of quantities is the principle of all things. Plato. Pbimtbd m ENaLMn> PEEFATOEY NOTE The present work is intended, not to supplant, but to sup-plement the existing harmony books. Whilst Ouseley, Stainer,Prout, Jadassohn and Riemann the
Modern harmony, its explanation and application . ing-notes, 61 scale, 5, 48, 53, 69, 148chordal origin, 53 system, 40Wider tonal relations, 15Wind instruments, 193 machine, 193 Witches Sabbath, 193Wolf-Ferrari, 20, 154 Zanella, 178 THE END BILLING AND SONS, LTD., PRIWTKR3, GUILDJTOBD. V V ^5^^^^. AUGENER BOSTON MUSIC CO., BOSTON The relation of quantities is the principle of all things. Plato. Pbimtbd m ENaLMn> PEEFATOEY NOTE The present work is intended, not to supplant, but to sup-plement the existing harmony books. Whilst Ouseley, Stainer,Prout, Jadassohn and Riemann theorized right up to the artof their day, the harmony books written since then haveavowedly been founded largely on their predecessors. Duringthe last fifteen years immense developments in the tonal arthave taken place, and a formidable hiatus between musicaltheory and modern practice has been created. It is the aimof the present book to fill in this gulf as far as possible. In order to make the book interesting to the general reader,as w^ell as useful to the student, a Glossary of Technical Termshas been supplied for the convenience of the former, whilstthe practical student may like to try his hand (and Muse) inthe working out of some of the Exercises in Appendix I. The musical examples hacu31924022370666
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
