Anthony's photographic bulletin for .. . *. Negative on Climax Plate byCha^ W. NEARN, Boston, a\a^. Hal^ton^ and Printing at theSchool of Practical Proce«5«5 Enqravinq. 205 subject to etch. It is poor, but the etcher ought to improve it; say oneportrait is of a man with a mustache, eyes, hair and coat a little lighterthan the others. By exercising care these parts can be painted in andheld back sufficiently to compare with the rest of the group. If thisportrait is vignetted, the coat cannot be painted in very well, except inthe shadows, as under the lapels, etc. After that is done and etch
Anthony's photographic bulletin for .. . *. Negative on Climax Plate byCha^ W. NEARN, Boston, a\a^. Hal^ton^ and Printing at theSchool of Practical Proce«5«5 Enqravinq. 205 subject to etch. It is poor, but the etcher ought to improve it; say oneportrait is of a man with a mustache, eyes, hair and coat a little lighterthan the others. By exercising care these parts can be painted in andheld back sufficiently to compare with the rest of the group. If thisportrait is vignetted, the coat cannot be painted in very well, except inthe shadows, as under the lapels, etc. After that is done and etchedand the faces are as you wish, you can paint in each portrait (if eachone is cut in an oval or square, or any shape, provided it is linedaround), painting in everything with the exception of the shirts andcollars. They possibly may be light enough, but usually they willstand a little brightening, as this greatly improves the look of thewhole group. You are now ready to etch again for a short time. Thistime you are etching for the light
Size: 1431px × 1745px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1870, booksubjectphotogr, bookyear1870
