Archive image from page 208 of Cultural chronology and change as. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru culturalchronolo431coll Year: 1955 ( Fig. 68. Sherds and sherd profiles. A-C, Guanape Zoned Red; D and E, Giu iiape Modeled. X Relationships oj Type: This type is so similar to the polished black ware from Early Ancon (Willey and Corbett, 1954, p. 53) that it has been designated by the same name. It is similar also to the polished black pottery of Cupisnique (Larco Hoyle, 1941). GUANAPE ZONED RED The collection contained only 10 sherds of
Archive image from page 208 of Cultural chronology and change as. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru culturalchronolo431coll Year: 1955 ( Fig. 68. Sherds and sherd profiles. A-C, Guanape Zoned Red; D and E, Giu iiape Modeled. X Relationships oj Type: This type is so similar to the polished black ware from Early Ancon (Willey and Corbett, 1954, p. 53) that it has been designated by the same name. It is similar also to the polished black pottery of Cupisnique (Larco Hoyle, 1941). GUANAPE ZONED RED The collection contained only 10 sherds of this type, which might properly be called Zoned Red and Black. The paste is that of Guanape Polished Red. The surface (exterior of bottles, exterior and interior of bowls) has an over-all red slip or zoned areas of red slip. The red-slipped areas are highly polished. Broad-line incising sets off design areas, and often the broad incisions are covered with a black, metallic, graphite-like pigment. Occasionally bands or panels of this same black pigment are bordered by broad incisions also containing the black pigment. The fol- lowing combinations are present: fa) Over-all polished red slip with small areas or l)ands of black pig- ment; for example, a rim sherd from a bowl has l)lack on the lip and in a disc-shaped area on the rim interior (fig. 68, C). (b) Over-all polished red slip with larger black areas set off by broad incisions containing black pigment (fig. 68, B, left) or fine incisions without black pigment.
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