Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . Fig. C7.—Otliei Details of S. Saviour, Biescia—VIII th • • ??-,-? .. .... —^^^-^ Fig, G8.—Little Window of S. Saviour, Brescia—Vlllth Century. little coiivi X avcliivolt, wiy like tlioso \\v saw in llic mnsoumat Venice; a slal) of marble with a beaded cross amongstroses, palms, and tresses, and lastly a very important stonehollowed by two little arches supported by colonnettes, witharchivolts, capitals, and headings rich in ornaments and havinga band below with large and cnrio
Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . Fig. C7.—Otliei Details of S. Saviour, Biescia—VIII th • • ??-,-? .. .... —^^^-^ Fig, G8.—Little Window of S. Saviour, Brescia—Vlllth Century. little coiivi X avcliivolt, wiy like tlioso \\v saw in llic mnsoumat Venice; a slal) of marble with a beaded cross amongstroses, palms, and tresses, and lastly a very important stonehollowed by two little arches supported by colonnettes, witharchivolts, capitals, and headings rich in ornaments and havinga band below with large and cnrious caps. It was mostprobably the base of the altar turned towards the people, andthe two little windows, furnished with an iron giating, andcommunicating A\itli the ciypt, piobably rendeicd visible thetombs of the saints deposited there, exactly as on certainconfessions of clmrches in Rome. Pavia.—As we find these Greek artificers working in citiesof minor importance, and sometimes even in \illages, it is easy
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectarchitecture, bookyea
