New Year's Square of the Haarlem rederijkerskamer De Wijngaertrancken, 1600, Jacob Matham, after Karel van Mander (I), 1600 print New Year's Sart from the Haarlem rederijkerskamer De Wijngaertrancken, 1600. Central a diamond -shaped representation of the resurrection of Christ, with the motto: Love above all. Upstairs under a canopy of vineyards the sitting female personifications of faith (Fides), Love (Charitas) and Hope (spes). Left and right the weapons of Holland and Haarlem. On the pedestal the date December 31, 1600 and a verse of 2 times 8 lines in Dutch with the assignment underneath
New Year's Square of the Haarlem rederijkerskamer De Wijngaertrancken, 1600, Jacob Matham, after Karel van Mander (I), 1600 print New Year's Sart from the Haarlem rederijkerskamer De Wijngaertrancken, 1600. Central a diamond -shaped representation of the resurrection of Christ, with the motto: Love above all. Upstairs under a canopy of vineyards the sitting female personifications of faith (Fides), Love (Charitas) and Hope (spes). Left and right the weapons of Holland and Haarlem. On the pedestal the date December 31, 1600 and a verse of 2 times 8 lines in Dutch with the assignment underneath in 5 lines in Latin and a Rebus. Haarlem paper engraving chamber of rhetoric (Dutch: 'rederijkerskamer'). Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. the Three Theological Virtues Haarlem
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Photo credit: © piemags/rmn / Alamy / Afripics
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