Harmony, its theory and practice . From 7 to 8 the bass moves by step. The way of treating theupper parts has been explained in § 108. From 8 to 9 themelody descends from supertonic to tonic (See § 102). Thestudent will now readily understand the harmonizing of the 48 whole melody, Ex. 84. A: I V I I V I IV V I If it is preferred to keep the tenor lower, the position of thechords from 4. might have been changed thus : 123456789 esSx

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903