The Creighton Chronicle . s V ;- 6£ C w c ^ «C C «-? d «T b£ CO o •S o £3 1—1 a M ^ .5 o 5 * T—I i—t as ^ i-i a 03 tn* 00 _f] r-t -^ OS <D .2^ 03 £ H *-3 CQ ^5 U ^2 .,1=5 «D T—1 OS o o as a) „ th ^5 ,Q - cd £3 •- £ 3 3 m <! as rH S d * b S o fH ...Q tH * H O- 0) SS .. 0) - r/ ?** .£3 fi^H 02 «S . o ., o> Mj >. rH | J3 6f- 3 Jo 2°-* o £3 £ rH•^ as tf o H Oh H c O Eh pq. THE ART OF JOSEPH CONRAD British subject. For twenty years he voyaged up and downthe highways of the sea, a keen observer, a patient, searchinganalyst. He says that the sea was his teacher. Yet he readwidely too. Not


The Creighton Chronicle . s V ;- 6£ C w c ^ «C C «-? d «T b£ CO o •S o £3 1—1 a M ^ .5 o 5 * T—I i—t as ^ i-i a 03 tn* 00 _f] r-t -^ OS <D .2^ 03 £ H *-3 CQ ^5 U ^2 .,1=5 «D T—1 OS o o as a) „ th ^5 ,Q - cd £3 •- £ 3 3 m <! as rH S d * b S o fH ...Q tH * H O- 0) SS .. 0) - r/ ?** .£3 fi^H 02 «S . o ., o> Mj >. rH | J3 6f- 3 Jo 2°-* o £3 £ rH•^ as tf o H Oh H c O Eh pq. THE ART OF JOSEPH CONRAD British subject. For twenty years he voyaged up and downthe highways of the sea, a keen observer, a patient, searchinganalyst. He says that the sea was his teacher. Yet he readwidely too. Not to many men comes such a wealth of experienceas was his: and to immeasurably fewer men is given the geniusto interpret that experience. In 1889 he began to put on paper one of the myriad storiesthat were seething within him. He tells us how he debated asto which language he should choose as his vehicle. Polish,French, English, he felt at home with them all. Many motivesdrew him to English, and in English he wrote. At odd moments,between watches, in casual shore lodgings, bit by bit the storywas written, Almayers Folly. For five years it grew. ThenConrad was invalided home, broken by fever got in the definitely abandoned the sea. He took lodgings in London,and sat down to finish the story. It was a cast of the die. Apublisher took it, the critics gingerly praised


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Keywords: ., bookcentury1900, bookdecade1910, bookidcreightonchronic9n1crei