. International studio. st month,in addition to a notable collection of Japaneseprints, a group of paintings in oil and water-colours entitled /// the Land of the Latins^ byOnorato Carlandi, characterised by the breadthand freedom of treatment which we remarked in aprevious exhibition of his at this gallery. In alater issue we hope to reproduce some examples ofSgr. Carlandis pictures. Messrs. Wallis & Son of the French Gallery areto be congratulated on the fine selection from theworks of Josef Israels, Matthew Maris, HenriHarpignies, and Leon Lhermitte, of which theirlast exhibition was compos
. International studio. st month,in addition to a notable collection of Japaneseprints, a group of paintings in oil and water-colours entitled /// the Land of the Latins^ byOnorato Carlandi, characterised by the breadthand freedom of treatment which we remarked in aprevious exhibition of his at this gallery. In alater issue we hope to reproduce some examples ofSgr. Carlandis pictures. Messrs. Wallis & Son of the French Gallery areto be congratulated on the fine selection from theworks of Josef Israels, Matthew Maris, HenriHarpignies, and Leon Lhermitte, of which theirlast exhibition was composed. It is not always atits best that the school to which these paintersbelong is represented in public exhibitions. TheYoung Cook, by M. Maris; La Nourrice, byLhermitte, and A Farm at Mont Fere, by the sameartist, come back to our mind as amongst thetreasures of the show, and such a work as A Viewon the Oise stamped itself on the memory asrepresenting Harpignies, the great master of still-ness and untroubled MACAULAY PLAINS, BRITISH COLUMBIA BY MRS. S. T. BEANLANDS129 Studio-Talk At the Carfax Gallery the Hon. Neville Lyttonand Mr. Charles Louis Geoffroy held an exhibitiontogether. There is some similarity in their aims—the cultivation of the traditional. They are bothvery content with scholarship for its own sake, andMr. Lytton adds a sense of romance. As adraughtsman in water colours of landscapes talent takes an extremely high place,but in them again it is nature always viewed through old conventions. Messrs. Dowdeswells Galleries were very in-teresting last month in the exhibition of the artof Jan Steen (1626-1679), with its Hogarth likecommand of dramatic grouping and impulsiveacceptance of every phase of life for subjects. Insuch single panels as the one of his wife with amandoline, there is, perhaps, most opportunity tostudy the beautiful and intimate qualities at theexpense of which some of his larger canvasesattained their cordial readiness to e
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