Antonio Allegri da Correggio, his life, his friends, and his time . ST. PLACIDUS 111 the Louvre picture. The drawing, in red pencil, is now In the Acomparison of this, the painters first thought, with the finished work,is of great interest. We see how earnestly he sought to avoid apartly symmetrical arrangement, and give movement and variety tothe drama. In the study, the angel bearing the palm and crown of martyrdom ./,/,? Saiictonnii, OctoliiT 5. Oiovanni (roiscl, Vile dci Saiiti, iii. p. , lyjS. - This drawing was also at Modcna in the eighteenth century. Tiraboschi,
Antonio Allegri da Correggio, his life, his friends, and his time . ST. PLACIDUS 111 the Louvre picture. The drawing, in red pencil, is now In the Acomparison of this, the painters first thought, with the finished work,is of great interest. We see how earnestly he sought to avoid apartly symmetrical arrangement, and give movement and variety tothe drama. In the study, the angel bearing the palm and crown of martyrdom ./,/,? Saiictonnii, OctoliiT 5. Oiovanni (roiscl, Vile dci Saiiti, iii. p. , lyjS. - This drawing was also at Modcna in the eighteenth century. Tiraboschi, vi. p. ?THE MARTYRDOM OF Sl. -i is exactly in the middle of the composition. Eutychius and Victorinus,kneeling side by side, their severed heads oh the ground beforethem, form two monotonous lines, uniform as a pair of caryatids, theirbodies bent at exactly the same angle, the blood flowing in equalstreams from either neck, their arms bound in like fashion behindtheir backs. \\e shall see how greatly these two figures and that ofthe angel have gained by alteration in the picture. One executioner,about to aim a blow at the neck of St. Placidus, has placed himselfbehind the saint, in the most inconvenient position he could havechosen for the accomplishment of his evil task ; another, standingbeside St. Flavia, thrusts a sword into her breast. In the picture all this is altered. On a hill-side studded with oaksand bushes, and brightly illumined by a clear noon-day light, thekneeling saint, his arms folded on his breast, offers his neck, whichshows the gash of a previous wound, to th
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Keywords: ., bookauthorriccicor, bookcentury1800, bookdecade1890, bookyear1896
