History of mediæval art . 1UUV Fig. 335-—System of the CollegiateChurch of Fig. 336.—System of the Cathedralof Naumburg. ond half of the thirteenth century, and may have been constructedat the same time with the western transept and the choir. In otherbuildings of this age, such as the nave of the Church of St. Sebaldusin Nuremberg, and the Minster of Basle,—exclusive of the Romanicportions near the portal of St. Gallus, begun in 1185, — the wallsare divided by triforium galleries, those of the latter church beinground-arched. Westphalia holds a middle place between the Lower Rhine

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History of mediæval art . 1UUV Fig. 335-—System of the CollegiateChurch of Fig. 336.—System of the Cathedralof Naumburg. ond half of the thirteenth century, and may have been constructedat the same time with the western transept and the choir. In otherbuildings of this age, such as the nave of the Church of St. Sebaldusin Nuremberg, and the Minster of Basle,—exclusive of the Romanicportions near the portal of St. Gallus, begun in 1185, — the wallsare divided by triforium galleries, those of the latter church beinground-arched. Westphalia holds a middle place between the Lower Rhine andCentral Germany, on the one hand, and the North German Low- GERMANY. 539 lands, on the other. The cathedrals of Osnabrueck {Fig. 337) andMuenster {Fig. 338) are similar in some respects to the before-men-tioned ecclesiastical edifices of Central Germany, at the same timeclearly displaying the development of the individual peculiaritieswhich had characterized the productions of this province duringthe Romanic epoch. The system of vaulting, which had here beenadopted at an

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Keywords: ., bookcentury1800, bookdecade1890, bookpublishernewyorkharperbros