The International Studio /June 1915 . ! The Passing Shot,. THE OLD MILL-POND BY G. GLENN NEWELL III. ALLIED ARTISTS OF AMERICA known as the Academy room; and the use of the Though the Conservatives and Progressives do Central Gallery for small material, sheltered by the large canvases in the South and VanderhiltGalleries, a happy blend. The Allied Artists are striving for the advance-ment of American art, by opening new avenues ofopportunity for the exhibition of meritoriousworks of art for which the Academy finds no space,this product is so far short-reaching, for the reason or else hangs so
The International Studio /June 1915 . ! The Passing Shot,. THE OLD MILL-POND BY G. GLENN NEWELL III. ALLIED ARTISTS OF AMERICA known as the Academy room; and the use of the Though the Conservatives and Progressives do Central Gallery for small material, sheltered by the large canvases in the South and VanderhiltGalleries, a happy blend. The Allied Artists are striving for the advance-ment of American art, by opening new avenues ofopportunity for the exhibition of meritoriousworks of art for which the Academy finds no space,this product is so far short-reaching, for the reason or else hangs so abominably that the artist would not employ the pristine vigour of the Guelphs andGhibellines in their conflicts, still the rope of artreceives occasional jolts from the one faction orthe other. Sometimes a more than ordinarystrain on the rope produces some little result, suchas the Allied Artists of America. The effect of that amid the clash of cymbals heralding in thenew men, the public fails to see any fresh tendency derive as much benefit if his canv
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