End of the Harvest, 1890s. Charles Angrand (French, 1854-1926). Conté crayon; sheet: x cm (19 3/16 x 25 in.). This drawing's unusual technique reflects the ideas of the French painting movement known as Pointillism or Divisionism. Its most famous practitioner, Georges Seurat (1859–1891), developed a technique of applying color in short strokes or dots. Seurat's friend Charles Angrand was influenced by this method, and both artists developed a related technique for their drawings. In the sheet shown here, Angrand used a black, manufactured charcoal stick on a paper textured with tiny
End of the Harvest, 1890s. Charles Angrand (French, 1854-1926). Conté crayon; sheet: x cm (19 3/16 x 25 in.). This drawing's unusual technique reflects the ideas of the French painting movement known as Pointillism or Divisionism. Its most famous practitioner, Georges Seurat (1859–1891), developed a technique of applying color in short strokes or dots. Seurat's friend Charles Angrand was influenced by this method, and both artists developed a related technique for their drawings. In the sheet shown here, Angrand used a black, manufactured charcoal stick on a paper textured with tiny ridges. The highest of these ridges hold the charcoal, but the paper shows through in the small spaces between them. This creates the effect of a soft, diffuse evening light that dissolves the curved shapes of haystacks and turns the landscape into an expansive abstraction of nature.
Size: 3400px × 2589px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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