. Hopi Katcinas drawn by native artists. thers, and to each of the angles of the lateral terrace a turkey tailfeather and a sprig of grass. The whole tablet is rimmed with redand painted green, with designs upon it. Symbols of sprouting cornand terraced rain clouds appear on the flat sides. The face of the helmet is divided medially by a black band, in whichare three white rings. On the right half of the face, which is blue,there is on each side of the eye-slit a sjmibol of the sprouting squashor gourd, replaced on the left side of the face l)y small symbols of rainclouds. Humis has a collar o
. Hopi Katcinas drawn by native artists. thers, and to each of the angles of the lateral terrace a turkey tailfeather and a sprig of grass. The whole tablet is rimmed with redand painted green, with designs upon it. Symbols of sprouting cornand terraced rain clouds appear on the flat sides. The face of the helmet is divided medially by a black band, in whichare three white rings. On the right half of the face, which is blue,there is on each side of the eye-slit a sjmibol of the sprouting squashor gourd, replaced on the left side of the face l)y small symbols of rainclouds. Humis has a collar of pine boughs, sprigs of which are alsoinserted in the armlets, the belt and the kilt. The body is smearedwith corn smut, and there are two pairs of crescents, painted black, (I For description of ;Malo katcina, seo Journal of American Etlinology and Archaeology, vol. ii, picture of the doll, see Internationales Archiv fiir Ethnographic, Band vii, pi. viii, fig. 21. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XX. TELAVAI ^M
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Keywords: ., bookauthorfewkesje, bookcentury1900, bookdecade1900, bookyear1904
