. Studio international . goes withoutraying. For if in the- course of his larolus Uuran the new-ippeared to bi more Parisianthan the Parisians in his methods, there itent forces in his i haracter which I impossible for him to be- a blind imitator of any artist or any school. Thus he passed in turn through ol Carolus and Cabanel illy untouched b) thi more blatant of modern arti tii methods. fh most cunning fa< ilit) di lighted 4 him not, mere bravura was anathema to him. Nothere in the brazen light of Parisian ateliers wasthe artist to come into his own. Searching, seek-ing, studying, in lea
. Studio international . goes withoutraying. For if in the- course of his larolus Uuran the new-ippeared to bi more Parisianthan the Parisians in his methods, there itent forces in his i haracter which I impossible for him to be- a blind imitator of any artist or any school. Thus he passed in turn through ol Carolus and Cabanel illy untouched b) thi more blatant of modern arti tii methods. fh most cunning fa< ilit) di lighted 4 him not, mere bravura was anathema to him. Nothere in the brazen light of Parisian ateliers wasthe artist to come into his own. Searching, seek-ing, studying, in leaving school Mr. Stott puthimself to school. And at the feet of the OldMasters, and presently under the benign auspicesof the Barbizon group of painters, he graduallyfound his true metier. He became the painter of the field and thetwilight —to use Mr. Laurence Housmans beauti-ful appellation—and in bringing so passionatea love to the simplest things lifted them to theplane of poetry. Not that Mr. Stott lost his modern. PASTE! TODY FOR A MAI BY EDWARH STOTT,
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
