Byzantine. Solidus (Coin) Portraying Heraclius and His Son Heraclius Constantine. 613 AD–616 AD. Byzantine Empire. Gold Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BC. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. It was not until 44 BC that the portrait of a living person—Julius Caesar—appeared on coins. Thereafter, profile
Byzantine. Solidus (Coin) Portraying Heraclius and His Son Heraclius Constantine. 613 AD–616 AD. Byzantine Empire. Gold Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BC. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. It was not until 44 BC that the portrait of a living person—Julius Caesar—appeared on coins. Thereafter, profile portraits of rulers or other members of the imperial family became the standard subject on coins throughout the Roman on coins help identify the ruler. While the front side depicted the sovereign’s portrait, the back was often used to communicate the ruler’s accomplishments or aspirations. Until Late Antiquity, portraits usually appeared in profile. The tiny images were carved by engravers into bronze dies, with one for the front and another for the back. The coins were then struck, one by one, in a process similar to how coins are created were the ideal way for Byzantine rulers to rapidly circulate their images throughout the empire and beyond, since they were used to pay for imported merchandise and foreign mercenaries. They could also be employed as powerful vehicles for propaganda, promoting messages of dynastic legitimacy and the divinesource of the emperor’s right to Christianity became the official religion of the Roman Empire, the Byzantine emperors adopted Christian themes and symbols, most notably the cross, to stand for both the religion and the political state. The previously ubiquitous profile portrait head was replaced by frontal or full-body depictions. Christ dominated the iconography, and Greek titles and phrases came to replace the Latin ones.
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Photo credit: © WBC ART / Alamy / Afripics
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