. The domestic word : a practical guide in domestic and social economy. eblue tertiary, has one yellow, one red,and two blue; russet, the red tertiary,one blue, and two red; citrine, the yellowtertiary, one red, one blue, and two yel-low ; and when these colours are opposedthey show up to the greatest advantage,as, for example, russet and olive andcitrine and olive. All cold colours arethose with blue in excess, and warm oneshave red, or red and yellow. Colourdwells in or near the light parts of a pic-ture ; distance from the light causes an obscuration or blackening of it, which iscalled shad
. The domestic word : a practical guide in domestic and social economy. eblue tertiary, has one yellow, one red,and two blue; russet, the red tertiary,one blue, and two red; citrine, the yellowtertiary, one red, one blue, and two yel-low ; and when these colours are opposedthey show up to the greatest advantage,as, for example, russet and olive andcitrine and olive. All cold colours arethose with blue in excess, and warm oneshave red, or red and yellow. Colourdwells in or near the light parts of a pic-ture ; distance from the light causes an obscuration or blackening of it, which iscalled shadow. All colours, no matterhow bright they may be naturally, losethat brightness when seen in the of warm objects in a landscapeare generally kept rather cool, and coldobjects warm; and as they approach thelight their edges are softened or blendedinto it with a grey tint. Nevertheless,all shadows, to a great extent, partakeof the particular colours on which theyare thrown, being modified by the illu-minating power. The best style for glass painting is. OUTLINE VIEW OF BETHANY. undoubtedly the florid, which consists inkeeping all the colours bright. Thepowerful artificial light which passesthrough the glass renders it imperativethat all objects depicted on it should beexaggerated in tone. In glass slides theamateur is advised not to use greenishblues or greenish yellows. The following are a few general ruleswhich will aid the amateur in landscapepainting, not only as applied to glass,but to paper also;— Grey Daylight.—^The shadows are in-clining to a brownish colour, and thelights on objects rather warm, the warmshadows helping to cool down the lights. Moonlight ^ects have also warmbrownish shadows, and the cool tintswhich prevail on the light parts of thepicture appear still cooler when thusbrought into contrast with the warmshadows. The light is all of a silverygrey, and the brownish shadows givegreat effect to it, and enable the amateur i88 ^t §omtdk ®or
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