The International library of famous literature, selections from the world's great writers, ancient, mediaeval, and modern with biographical and explanatory notes and critical essays by many eminent writers . 12 William Wordsworth . . 5423 Wordsworths Home at Rjdxil Mount, in tiie Lake Country .... 5428 Sir William Wallaces Monument 5440 Sir Walter Scott ..,.., 5450 Eoderick Dhus Watchtower ....,..,,. 54G1 Dr. John Brown 5463 Robert Burns Cottage ,..,.. 5511 Nae man can tether time or tide = . 5514 ? Ae spring brought off her master hale , . 5516 Auld Lichts 5532 The Birthplace of J. M. Barrie,
The International library of famous literature, selections from the world's great writers, ancient, mediaeval, and modern with biographical and explanatory notes and critical essays by many eminent writers . 12 William Wordsworth . . 5423 Wordsworths Home at Rjdxil Mount, in tiie Lake Country .... 5428 Sir William Wallaces Monument 5440 Sir Walter Scott ..,.., 5450 Eoderick Dhus Watchtower ....,..,,. 54G1 Dr. John Brown 5463 Robert Burns Cottage ,..,.. 5511 Nae man can tether time or tide = . 5514 ? Ae spring brought off her master hale , . 5516 Auld Lichts 5532 The Birthplace of J. M. Barrie, Kirriemuir .... = .. 5540 Jane Austens Home at Chawton 5557 The Bridge of Sighs ,...,.. 5572 Robert Southey 5584 Charles Lamb , . 5595 Mr. Pickwick 5615 St. Finnbarrs Cathedral, Cork , . , 5632 William Makepeace Thackeray ? . . 5664 Thackerays House, Palace Green, Kensington , 5678 William Wilkie Collins 5700 Bome of Henry Wadsworth Longfellow, Cambridge, Mass .... 5734 Frederick Marryat 5738 The Raven 5787 INTRODUCTIONTO Vol. XII THE NATURALIST SCHOOL OF FICTIONIN FRANCE written forthe international library of famous literature BY EMILE ZOLA Author of Lc Roman Experimentil Sfc, & ZULA THE NATUEALIST SCHOOL OF FICTIONm FKANCEi By Emile Zola. More than twenty yeais have now elapsed since I gave expressionto certain theories on the modern French novel in an essay entitledLe Rommi Expi7imental; but in all essential respects those viewsremain mine to-day. Critics have sometimes remarked that Ihave not always rigidly observed them, but to this I would replythat while laying down certain broad principles, I never intendedto confine the novel-writer within four stone walls. Thirteenyears before Le Roman Experimental first appeared in the pages ofa Kussian review, I had written in one of my articles on J\lanet,the painter {Mes Haines, p. 307): A work of art is some portionof the creation seen athwart a temperament. And it was largelythe same definition that I applied to the
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