. Rembrandt : his life, his work, and his time. again been careful to record below this copy that^ Probably the picture owned by Mr. Willctt of Brighton. [6o REMBRANDT he had only re-touched and slightly modified his pupils work. Theinscription on the canvas runs as follows : INSCKIPTloN These replicas are not of frequent occurrence in his ceicvie. We havealready noted those of the Entombiiient and the Descent from theCross. In the inventory of 1656 a few such canvases are enumerated ;among them are a Good Saviaritan, a Flagellation, and a sketch ofthe Crucifixion. Besides these th
. Rembrandt : his life, his work, and his time. again been careful to record below this copy that^ Probably the picture owned by Mr. Willctt of Brighton. [6o REMBRANDT he had only re-touched and slightly modified his pupils work. Theinscription on the canvas runs as follows : INSCKIPTloN These replicas are not of frequent occurrence in his ceicvie. We havealready noted those of the Entombiiient and the Descent from theCross. In the inventory of 1656 a few such canvases are enumerated ;among them are a Good Saviaritan, a Flagellation, and a sketch ofthe Crucifixion. Besides these there are a certain number of still-lifestudies, of the kind known as Vanitas, in which the masters correctionsare visible, but which he apparently never tried to sell. Whileadmitting the occasional collaboration of his pupils, we think itnecessary to show that it was less important than has been supposed,especially at this period. W^e agree with Dr. Bode that moderncriticism has been inclined to overshoot the mark in dealing with A RAGGED IEASANT. About 163s (B. 172).
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Keywords: ., bookcentury1900, bookdecade1900, bookpublishernewyo, bookyear1903
