Allegorical performance with Hercules that Amor tramples, Bernard Picart, 1719 print The personification of moderation sits with her horse toom next to Minerva on a cloud. Together they try to call the figures on the ground to order. To the left of the cloud is a man who wants to tackle moderation and Minerva with a sword. In the foreground is Hercules in a woman (the pride?): A naked woman with wall crown and with a peacock in the arms. She tries to seduce him. Hercules kicks Amor with his arrow and arch to the ground. In the foreground is a card game and is a winged devilish figure in a bag
Allegorical performance with Hercules that Amor tramples, Bernard Picart, 1719 print The personification of moderation sits with her horse toom next to Minerva on a cloud. Together they try to call the figures on the ground to order. To the left of the cloud is a man who wants to tackle moderation and Minerva with a sword. In the foreground is Hercules in a woman (the pride?): A naked woman with wall crown and with a peacock in the arms. She tries to seduce him. Hercules kicks Amor with his arrow and arch to the ground. In the foreground is a card game and is a winged devilish figure in a bag of money. In the lower margin a seven -line verse in French. Amsterdam paper etching / engraving Hercules as personification of Virtue. figure representing a Virtue vs. a Vice. (story of) Minerva (Pallas, Athena). Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. (story of) Cupid, Amor (Eros)
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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
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