Living pictures; their history, photoproduction and practical workingWith a digest of British patents and annotated bibliography . n will show that LePrinces apparatus wasfounded on absolutelydifferent principles tothose in vogue at thepresent time, althoughsome resemblance maybe seen to types nowsuggested, and it maybe that future machinesmay follow some ofthis inventors modern apparatustakes a series of pic-tures, by means of onelens (or at least from one point of view), on one filmmoved between the exposures. Le Prince used manylenses and moved his film during the time that neit
Living pictures; their history, photoproduction and practical workingWith a digest of British patents and annotated bibliography . n will show that LePrinces apparatus wasfounded on absolutelydifferent principles tothose in vogue at thepresent time, althoughsome resemblance maybe seen to types nowsuggested, and it maybe that future machinesmay follow some ofthis inventors modern apparatustakes a series of pic-tures, by means of onelens (or at least from one point of view), on one filmmoved between the exposures. Le Prince used manylenses and moved his film during the time that neitherit nor the lenses facing it were in use, although exposure was going on bymeans of other lenses on anotherfilm. Practically, his apparatuswas a duplicate arrangement ofthe battery type, and, further,the great difference in positionbetween the lenses at opposedcorners must have given rise tovarying aspects of foregroundobjects, thus inducing a falsemotion of the same on the screen. Londe meanwhile had entered the field. He had,in conjunction with Colonel (now General) Sebert,constructed a compound apparatus composed of six. Fig. .•>5 54 LIVING FICTURJES.
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Keywords: ., bookcentury1800, bookdecade1890, booki, booksubjectmotionpictures
