A history of with a preface by Frank Brangwyn . d Goya, is in deep study ofthe object and in the firmness of the handling., Themoment the impression was complete he ceased from allfurther finish. The British Museum possesses a fine headof the Duke of Wellington in red chalk by Goya. ThePrado holds his Guitar-player, displaying his decorativesense, and his exquisitely finished portrait of his father-in-law, Bayeu, over which his hand lingered with loving care,as though he would utter his affection for the man by hisvery craftsmanship. He delighted in limning the beautyof the women o
A history of with a preface by Frank Brangwyn . d Goya, is in deep study ofthe object and in the firmness of the handling., Themoment the impression was complete he ceased from allfurther finish. The British Museum possesses a fine headof the Duke of Wellington in red chalk by Goya. ThePrado holds his Guitar-player, displaying his decorativesense, and his exquisitely finished portrait of his father-in-law, Bayeu, over which his hand lingered with loving care,as though he would utter his affection for the man by hisvery craftsmanship. He delighted in limning the beautyof the women of his race. In his famous Asensi the brushmoves swiftly—as in the dainty Marchioness of Pontejos itlingers over every detail of dress and landscape. At timeshis art is strangely akin to that of Gainsborough. AtMadrid is the superb portrait of the Marchioness de laSolana. The Prado holds his Equestrian Portrait of GeneralPalafox, his full-length General Urratia, his Ferdinand VII,Young, an early and well-known Charles III, a fine Duke of VOL. Ill 2 H 24I.
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License: Licensed
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Keywords: ., bookcentury1900, bookde, booksubjectpainters, booksubjectpainting
