. International Studio an Illustrated Magazine of Fine and Applied Art. ties, including a HefiriRochefort, looking almost dia-bolic beneath a mass of hair;a Gustave Geffroy, in pensivemood, the head inclined ; aGuil/aume, with a hard,stubborn expression ; alsoGeorge Wyndham, Dalou^ andVictor Hugo. His earlier workwas represented by LHotnme70 Like many of the best painters of thepresent day, Simon Bussy hails from thea/^//(?/of Gustave Moreau. But nothingin his art, save an extreme delicacy oftouch, reveals a kinship with the authorof the Salome pictures. M. Bussy, whois rarely seen in Paris, a
. International Studio an Illustrated Magazine of Fine and Applied Art. ties, including a HefiriRochefort, looking almost dia-bolic beneath a mass of hair;a Gustave Geffroy, in pensivemood, the head inclined ; aGuil/aume, with a hard,stubborn expression ; alsoGeorge Wyndham, Dalou^ andVictor Hugo. His earlier workwas represented by LHotnme70 Like many of the best painters of thepresent day, Simon Bussy hails from thea/^//(?/of Gustave Moreau. But nothingin his art, save an extreme delicacy oftouch, reveals a kinship with the authorof the Salome pictures. M. Bussy, whois rarely seen in Paris, and divides histime chiefly between the Riviera andScotland, has just been showing at a series of his pastels—works executed with an exquisite poeticsentiment. The technique of these pastelsis so subtle that the medium is scarcelydiscernible, and one can scarcely tellwhether they are water-colours or especial charm of Bussy is theway in which he interprets nature,it is one of Scotlands sombre lochs, or apine trees, or a view of the Esterel. SILVER DISH CARLO BUGATTI studio- Talk
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Keywords: ., bookcentury1900, bookdecade1900, bookidinternationa, bookyear1908
