. Programme . you infuse into yourorchestra in the performance a sort of longing for the Spring, whichI had chiefly in mind when I wrote in February, 1841? The firstentrance of trumpets, this I should like to have sounded as thoughit were from high above, like unto a call to awakening; and then Ishould^ like reading between the lines, in the rest of the Introduction,how everywhere it begins to grow green, how a butterfly takes wing;and, in the Allegro, how little by little all things come that in anyway belong to Spring. True, these are fantastic thoughts, whichcame to me after my work was fin
. Programme . you infuse into yourorchestra in the performance a sort of longing for the Spring, whichI had chiefly in mind when I wrote in February, 1841? The firstentrance of trumpets, this I should like to have sounded as thoughit were from high above, like unto a call to awakening; and then Ishould^ like reading between the lines, in the rest of the Introduction,how everywhere it begins to grow green, how a butterfly takes wing;and, in the Allegro, how little by little all things come that in anyway belong to Spring. True, these are fantastic thoughts, whichcame to me after my work was finished; only I tell you this aboutthe Finale, that I thought it as the good-bye of Spring. (It may here be noted that the symphony was fully sketched infour days, and that Schumann now speaks of composing the workin February, 1841, and now of writing it towards the end of thatyear.) Berthold Litzmann, in the second volume of his Clara Schumann(Leipsic, 1900), gives interesting extracts from the common diary of. /^RIGINAL design for an Adam Bedroom, the^-^ color scheme being two shades of gray and furniture done in black and gold, decorated incolors. The draperies, rose and sea green, embroideredin colors. The rug two shades of gray. Paine Furniture Company 78
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