International studio . THE RED ARMY. BYEDWARD SALTOFT(By permission of MessisBrown and Phillips, theLeicester Galleries) 29 STUDIO-TALK. COMMERCIAL WHAEF, LAMBHAY FROM A DRAWING BY R. BORLASESMART, of The Red Gate in Malayamorskaya (1917),a scene which marked the overthrow ofthe Kerenski regime by the Bolsheviks ;two paintings of The Red Army, one ofwhich we here reproduce ; and, again, inthe picture of Fugitives crossing the Bridgeof Bielsostrof (1919), when the Terror hadreached its height. Infinitely pathetic, too,are the scenes from the prisons throngedwith victims of the new rulers
International studio . THE RED ARMY. BYEDWARD SALTOFT(By permission of MessisBrown and Phillips, theLeicester Galleries) 29 STUDIO-TALK. COMMERCIAL WHAEF, LAMBHAY FROM A DRAWING BY R. BORLASESMART, of The Red Gate in Malayamorskaya (1917),a scene which marked the overthrow ofthe Kerenski regime by the Bolsheviks ;two paintings of The Red Army, one ofwhich we here reproduce ; and, again, inthe picture of Fugitives crossing the Bridgeof Bielsostrof (1919), when the Terror hadreached its height. Infinitely pathetic, too,are the scenes from the prisons throngedwith victims of the new rulers. Here at aglance one gets a truer notion of whatrevolution means than any descriptivenarrative can convey. 000 PLYMOUTH.—At the beginning ofSeptember Plymouth will celebratethe tercentenary of the departure of thePilgrim Fathers in the Mayflower ontheir historic and portentous voyage tothe new world, and it is expected that agoodly number from among the multitudeof Americans who are now on this side ofthe Atlantic will visit the town to take part30 in the festival of celebration and to lingerabout the old spots sanctified by th
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