. Voice and song : a practical method for the study of singing . i?3 2 a as above E=^ =s J a ? p -o- 3E m Ut fl\ (Tv fi\ s J ^ /?\ ^ TT ^ /O ^£ TT r\ 1 £ ^ Tl~ -©- XE i feSr-* iu .fl| [? i - 4r* S r * - 31 £ a w o -^ S £ ^ ^3^ -o- ^^ 3T I 4ft ^> /?\ Cs H P^Ei 1^^ H J I - US S= ? ? £ S8 /?s in p ^ ff\ ^ -o- 33: £ 3 May be sung in other keys, with an accompaniment adapted from Exercise 93 ; also, the exerciseitself may at first be abbreviated by omitting either the third or fourth measure, or both. VOICE AND SONG. 149 The trill is least effective and most difficult at the extremes of the comp
. Voice and song : a practical method for the study of singing . i?3 2 a as above E=^ =s J a ? p -o- 3E m Ut fl\ (Tv fi\ s J ^ /?\ ^ TT ^ /O ^£ TT r\ 1 £ ^ Tl~ -©- XE i feSr-* iu .fl| [? i - 4r* S r * - 31 £ a w o -^ S £ ^ ^3^ -o- ^^ 3T I 4ft ^> /?\ Cs H P^Ei 1^^ H J I - US S= ? ? £ S8 /?s in p ^ ff\ ^ -o- 33: £ 3 May be sung in other keys, with an accompaniment adapted from Exercise 93 ; also, the exerciseitself may at first be abbreviated by omitting either the third or fourth measure, or both. VOICE AND SONG. 149 The trill is least effective and most difficult at the extremes of the compass ; therefore, it must be sat-isfactorily accomplished in the easy range before taking in the higher and lower tones of the the trill occurs where two registers meet, both tones must be produced in the higher of the two reg-isters. Deep, heavy voices are not suited for this embellishment. Practise ist, piano throughout; 2nd, mezzo forte throughout; 3rd, messa di voce as indicated. Exercise 135. At first not faster than •=( *%3=.
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