Two females in the foreground, one standing the other reclining, surrounded by tree-lined paths; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The sixteenth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also de
Two females in the foreground, one standing the other reclining, surrounded by tree-lined paths; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The sixteenth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by Two females in the foreground, one standing the other reclining, surrounded by tree-lined paths; set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621–1682). 1668. Etching
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