The works of John Ruskin . ortion is covered by the See note below,p. 142, where an engraving of the example is given (Plate XXXVI.).] 6 [This example was No. 35 in the Catalogue of Examples, which reads:— Isis. The etching (by Turners own hand on the copper) for the a list of examples from the Liber Studiorum, see Index.] 7 [Otherwise known as The Stork and Aqueduct, which example, however,was afterwards removed; the frame now contains the etching of Mill near theChartreuse.] 8 [This is the etching (given in Plate C, Vol. XX. p. 156) for the unpublishedplate (intended
The works of John Ruskin . ortion is covered by the See note below,p. 142, where an engraving of the example is given (Plate XXXVI.).] 6 [This example was No. 35 in the Catalogue of Examples, which reads:— Isis. The etching (by Turners own hand on the copper) for the a list of examples from the Liber Studiorum, see Index.] 7 [Otherwise known as The Stork and Aqueduct, which example, however,was afterwards removed; the frame now contains the etching of Mill near theChartreuse.] 8 [This is the etching (given in Plate C, Vol. XX. p. 156) for the unpublishedplate (intended for Liber Studiorum) usually known as Swiss Bridge, Mont (sometimes called Via Mala). Ruskin copied a piece of the etchingin Modern Painters, vol. iv., Fig. 1 (Vol. VI. p. 40). He here identifies the spotas the bridge below Wassen on the St. Gothard road, called The Priests Leap,from a story of a monk having leaped across the chasm with a maiden in hisarms. For a reference to the etching, see below, p. 225.]. * CATALOGUE OF EDUCATIONAL SERIES 97 245. DeviVs Bridge, St. Gothard. 246. Windmill. 247. Watermill. 248. Ben Arthur, Scotland. 249. jEsclcus and 250. Cephalus and Procris. Case XL (Nos. 251-275).—Foliage 251. Aphrodite and the Spring? (Sandro Botticelli) . .P. 252. Sketch3 of a few Leaves in the Background of No. 251 . M. 253. Outlines of Leaves of Oak and Maple. Touched with colour* .......... M. 254. Study6 of Young Leaves of Plane, in Light and Shade . M. 255. Finished Study of Agrimony Leaves6 . . . M. 256. Study of Leaves of Wild (Diirer) ... P. 1 [This is the etching. Turners subsequent treatment of it may be seen in oneof the examples on loan to Oxford from the National Gallery: No. 170 in RuskinsCatalogue of them (Vol. XIII. p. 567). To this latter example the following noterefers: In a certain number of cases, Turner, as far as is known, made no pre-liminary study of the composition in pen and wash, and in some of these instan
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