Paris . klapoterne incurred the hatred of the University by his sternrepression of its disorders, he was accused of heresy andfavouring the Jews (a terrible crime at that time), and con-demned, on a scaffold before Notre Dame, to pass the rest ofhis life on the bread and water of affliction in the dungeonsof For IEvSque, whence he was transferred to the Bastille,but, being set free in a popular insurrection, escaped to Bur-gundy. After the time of Aubryot, the hotel became a sejourof Louis dOrl^ans, the builder of Pierrefonds, who createdthe order of Porc-^pic. Then followed J
Paris . klapoterne incurred the hatred of the University by his sternrepression of its disorders, he was accused of heresy andfavouring the Jews (a terrible crime at that time), and con-demned, on a scaffold before Notre Dame, to pass the rest ofhis life on the bread and water of affliction in the dungeonsof For IEvSque, whence he was transferred to the Bastille,but, being set free in a popular insurrection, escaped to Bur-gundy. After the time of Aubryot, the hotel became a sejourof Louis dOrl^ans, the builder of Pierrefonds, who createdthe order of Porc-^pic. Then followed J. de Montaigu,the Conndtable de Richemont, Estouteville, the Admiralde Graville and the Conn^table de Montmorency, whosewidow sold it to the Cardinal de Bourbon, by whom it was PARIS bequeathed to the Jesuits, after which it became a depend-ance of their college, now Lyc^e Charlemagne. In theplan of Paris of 1570, attributed to Du Cerceau, this h6telis inscribed as Logis du Preuost de Paris. The build-. h6tel du pr^v6t de paris. ings are of the time of Fran5ois I. They are very littleknown and have therefore happily escaped restoration, sothat their colour is glorious. In the dark arcades of thecourt, the delicate friezes, broadly over-hanging eaves,arched doorways, twisted staircase, brilliant flowers in the RUE CHARLEMAGNE 219 windows, bright glints of green seen through dark entries,and figures and costumes full of colourâfor such are stillto be seen in the Maraisâan artist may find at least adozen subjects worthy of his skill.
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Keywords: ., bookcentury1800, bookdecade1880, bookidcu3192409881, bookyear1887
