. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. ^■^VA^^: i;S MOO^( NIGHT ^^ ^-E^cUn, ,y Ma. Kl.^,, k\^t\i<\ - huge*?xpendii the cout^. MICHAEL KRAMEE 231 page for my decorative work. But the plate wasntproperly prepared. The whole thing doesnt suit meyet. I must get a better insight first. Lachmann. I tried my hand at etching too, once, but Isoon gave it up. Keamer. What have you been working at, Lachmann? Lachmann. Portraits and landscapes, one thing and an-other. Not much has come of it, God help me! Kramer. Always work, work, wor
. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. ^■^VA^^: i;S MOO^( NIGHT ^^ ^-E^cUn, ,y Ma. Kl.^,, k\^t\i<\ - huge*?xpendii the cout^. MICHAEL KRAMEE 231 page for my decorative work. But the plate wasntproperly prepared. The whole thing doesnt suit meyet. I must get a better insight first. Lachmann. I tried my hand at etching too, once, but Isoon gave it up. Keamer. What have you been working at, Lachmann? Lachmann. Portraits and landscapes, one thing and an-other. Not much has come of it, God help me! Kramer. Always work, work, work, Lachmann. I tell you,we must work, Lachmann. Or the dry rot11 eat intoour living bodies. Look at a life like Bocklins. Thework that man does. But somethings accomplishedin such a life. Not only what he paints; the wholeman! I tell you — work is life, Lachmann. Lachmann. Im thoroughly conscious of that, too. KIbamer. Im a wretched creature without my work. Inmy work I become something. Lachmann. With me, unfortunately, the time slips by andI cant get down to any real work. Kramer. Why so? Tell me that! Lachmann. Because I have other things to do — workwhich is no work at all. Kramer.
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Keywords: ., bo, bookcentury1900, bookdecade1910, booksubjectenglishliterature
