Peter Bruegel, 1606. Around 1600, three decades after the death of artist Pieter Bruegel (about 1525-1569), a renewed interest in his work sparked the so-called Bruegel Renaissance. Admired for his scenes of everyday life and his realistic landscapes, he was highly praised for faithfully following nature. Appropriately, the inscription on Sadeler's print is a lengthy discussion about the imitation of nature, a matter of great interest to artists at the time. Bruegel is surrounded by Minerva and Mercury (who here personify Art and Eloquence, respectively) and a composite figure of Fortune and F
Peter Bruegel, 1606. Around 1600, three decades after the death of artist Pieter Bruegel (about 1525-1569), a renewed interest in his work sparked the so-called Bruegel Renaissance. Admired for his scenes of everyday life and his realistic landscapes, he was highly praised for faithfully following nature. Appropriately, the inscription on Sadeler's print is a lengthy discussion about the imitation of nature, a matter of great interest to artists at the time. Bruegel is surrounded by Minerva and Mercury (who here personify Art and Eloquence, respectively) and a composite figure of Fortune and Fame. The cherub bearing the skull and torch at bottom is probably Thanatos, a classical symbol of death. He bows to mourn the artist, but as the still-flaming torch indicates, Bruegel's genius and fame are immortal.
Size: 3568px × 5124px
Photo credit: © Heritage Art/Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., 1570-1629, 16th, aegidius, art, century, cleveland, engraving, flanders, flemish, heritage, museum, print, sadeler
