. Programme. he noblest and most poetic apprecia-tion of the symphony, the essay of Berlioz will bring unfailing de-light. The Seventh Symphony needs no analysis; it escapes thecommentator. As the landscape is in the eye of the beholder, so the symphony is in the ear of the hearer. « The symphony is scored for two flutes, two oboes, two clarinetstwo bassoons, two horns, two trumpets, kettledrums, strings. I. The first movement opens with an Introduction, poco sos-tenuto, A major, 4-4. The main body is Allegretto, A minor, 2-4. rlurwitch Bros. Displaying a novel assemblage of models and materia
. Programme. he noblest and most poetic apprecia-tion of the symphony, the essay of Berlioz will bring unfailing de-light. The Seventh Symphony needs no analysis; it escapes thecommentator. As the landscape is in the eye of the beholder, so the symphony is in the ear of the hearer. « The symphony is scored for two flutes, two oboes, two clarinetstwo bassoons, two horns, two trumpets, kettledrums, strings. I. The first movement opens with an Introduction, poco sos-tenuto, A major, 4-4. The main body is Allegretto, A minor, 2-4. rlurwitch Bros. Displaying a novel assemblage of models and materials from the leadingParisian Designers for EARLY SPRING and SOUTHERN WEAR FALL and WINTER MODELS $ up. 20% off on all orders faced now ^44 Boylston Street, Boston CHOICE SEATS FOR Fred Stone in Tip Top. Mclntyre and Heath in Red Pepper, Helen MacKellar in Back Pay, William Hodge in Dog Love, Irene, Shubert Select Vaudeville and Keiths. BURKE-ADAMS HOUSE Phones, Beach 935. 942, 2430 Jordan MarshCompany -^. The Call of the Gt€ I n. 0Tl;1i Lures the Lover ofOutdoor Winter Sports From year to year hundreds of en-thusiasts of outdoor sports look forwardto their winter trip to the snowy north-lands. New Englands Greatest Store respondsto the demand for apparel and accessoriesthat tend to make for a more enjoyableand complete outing. II. Allegretto, A minor, 24. III. Presto, F major, 3-4.* IV. The Finale, Allegro con brio, A major, 2-4, is a wild rondo ontwo tlienies. Here, according- to Mr. Prodhomme and others, asBeethoven achieved in the Scherzo the highest and fullest expressionof exuberant joy,—unbuttoned jo}, as the composer himself wouldhave said,—so in the Finale the joy becomes orgiastic. The furious,bacchantic first theme is repeated after the exposition, and there isa sort of coda to it, as a chorus might follow upon the stanzas of a First performances: London, June 9, 1817; Paris, fragments in1821, the whole, March 1, 1829; Petrograd, March 6, 1840; Moscow,Decem
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
