Harmony, its theory and practice . 5 f6 6 6 f {5(XIX) Double Chant. _ . ^s^— r-h -j^^y- -M- 1—I— is- — -1—t- f^ ^-^s!- — rJ gj J 21J 1 jj i| 36 6 66 $6 $6t6 (XX) Hymn Tune. 6 5 I Cnap. VII.] Triads of the Minor Key. 93 S 6 » P (XXI) Hymn Tune. 6 64 « 6 6 6 5$ 4 t d r - I -!—I 4 I r ? J 8 f 6 I 6 6 J6 =l=t =*=^- a=t= it 6 5 6 6 Jf6 6 e )(6 4 i (XXII) Hymn Tune. 6 6 64 ISjSt 8 6 1 r, r 1 6 e rr r r r 1 6 54 3 f 4to 1^ =p=i 6 6 6 4 6 6 p?t ^J =t= r 1 r H—^—1—^— H———#- 4= « J 6 «6 1(5 6 $6 6 6 5 4 J Harmonize the following melodies in four parts.(In the first two of these exercises, the roots, but
Harmony, its theory and practice . 5 f6 6 6 f {5(XIX) Double Chant. _ . ^s^— r-h -j^^y- -M- 1—I— is- — -1—t- f^ ^-^s!- — rJ gj J 21J 1 jj i| 36 6 66 $6 $6t6 (XX) Hymn Tune. 6 5 I Cnap. VII.] Triads of the Minor Key. 93 S 6 » P (XXI) Hymn Tune. 6 64 « 6 6 6 5$ 4 t d r - I -!—I 4 I r ? J 8 f 6 I 6 6 J6 =l=t =*=^- a=t= it 6 5 6 6 Jf6 6 e )(6 4 i (XXII) Hymn Tune. 6 6 64 ISjSt 8 6 1 r, r 1 6 e rr r r r 1 6 54 3 f 4to 1^ =p=i 6 6 6 4 6 6 p?t ^J =t= r 1 r H—^—1—^— H———#- 4= « J 6 «6 1(5 6 $6 6 6 5 4 J Harmonize the following melodies in four parts.(In the first two of these exercises, the roots, but not thepositions, are given.) (XXIII). V IIIVI iv i iv i i V VI ii° i V i (XXV) ^r^pV^ -i- =l=t: (XXVI) (XXVII) Double Chant. r-OS *ii r—1—^1 1—1 1 1—1—n /?V?1— =^ :p = tf- ^ -£=^ ^f± ~^^ ?^^ ^ A^ — H—1— (XXVIII) Hymn Tune. 94 Harmony. [Chap. vni. CHAPTER VIII. THE CHORD OF , THE DOMINANT SEVENTH.
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903
