Madame Hippolyte Flandrin (Aimée Ancelot), 1869. Paul Flandrin drew this precise graphite portrait of his brother Hippolyte's widow, Aimée Ancelot, a few years after Hippolyte's death. The Flandrin brothers were both students of the painter Jean-Auguste-Dominique Ingres (1780-1867), who was known for his own very precise and technically accomplished graphite portraits. In fact, at some point a false signature of Ingres's name was added on the drawing's left side, where it is still visible. Paul's brother, Hippolyte, is represented in the exhibition by a graphite study made in prepara


Madame Hippolyte Flandrin (Aimée Ancelot), 1869. Paul Flandrin drew this precise graphite portrait of his brother Hippolyte's widow, Aimée Ancelot, a few years after Hippolyte's death. The Flandrin brothers were both students of the painter Jean-Auguste-Dominique Ingres (1780-1867), who was known for his own very precise and technically accomplished graphite portraits. In fact, at some point a false signature of Ingres's name was added on the drawing's left side, where it is still visible. Paul's brother, Hippolyte, is represented in the exhibition by a graphite study made in preparation for a religious painting [cat. no. 32].


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Photo credit: © Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: 1811-1902, 19th, art, century, chalk, cleveland, drawing, flandrin, france, french, gouache, graphite, heightened, heritage, jean-paul, museum, white