. Art in France. ART IN FRANCE. Every history of the period might havebeen called : The Origin of the very nearly translated this bookinto paint in the secularised Pantheon ofI 84W. His symbolical decoration was nevercarried out. He philosophised too much topaint well. His ideas could not alwaystmd [)lastic expression. A few of his workshave survived, in which dark, muscularforms move uneasily; they are Michelan-gelos creations, deprived of their super-human power. Chenavards art. austereand abstract as that of Arv Scheffer. makesus realise that ideology will not suffice t
. Art in France. ART IN FRANCE. Every history of the period might havebeen called : The Origin of the very nearly translated this bookinto paint in the secularised Pantheon ofI 84W. His symbolical decoration was nevercarried out. He philosophised too much topaint well. His ideas could not alwaystmd [)lastic expression. A few of his workshave survived, in which dark, muscularforms move uneasily; they are Michelan-gelos creations, deprived of their super-human power. Chenavards art. austereand abstract as that of Arv Scheffer. makesus realise that ideology will not suffice toproduce energy. Chasseriau had not time to hisdestiny (1819-1856). As far as we canjudge by some few paintings saved fromthe ruins of the Tuileries. he would havebecome a magnificent decorator. LikeFlandrin, he had learnt the secret of noblealtitudes and outlines, the full curves and ample gestures of fair odalisques; but Delacroixs colour, and mem-ories of Morocco gave a certain Romantic fever to the bodies which Fland
Size: 1058px × 2362px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart
