Halerie seen from a northern direction in 1893. In the middle of the gallery, various plaster castings have been drawn up, including a casting of Victoria, the image that the facade rewards, made by the sculptor Francois with adjacent cabinets, seen from south. The decoration pattern as designed by Cuypers has not yet been completely worked out here. The paintings of Georg Sturm in the arc fields above the cabinets have not yet been applied. The open closing stones of the vaults 'doing a sparingly light in, so that the lighting of the four of each side of the gallery itself
Halerie seen from a northern direction in 1893. In the middle of the gallery, various plaster castings have been drawn up, including a casting of Victoria, the image that the facade rewards, made by the sculptor Francois with adjacent cabinets, seen from south. The decoration pattern as designed by Cuypers has not yet been completely worked out here. The paintings of Georg Sturm in the arc fields above the cabinets have not yet been applied. The open closing stones of the vaults 'doing a sparingly light in, so that the lighting of the four of each side of the gallery itself seems more powerful' (the Stuers ) Cuypers used for the construction a combination of stones vaults and columns with wrought iron beams. At the decoration of the beams, composed of drawn and forged iron, the construction is taken as a starting point. 'Flanges and rivets' are part of the decoration pattern. Granito floor with mosaic, for pattern See the stuys fig. 12 fig B. The level difference between the gallery and the cabinets are leveled in 1925.
Size: 2500px × 2490px
Photo credit: © BTEU/RKMLGE / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
