International studio . A nobles 72 BY HOBUN KIKUCHI Art School Notes. impressed me more deeplythan ever with the convic-tion that however differentmay be the conception ofart, or the technique em-ployed in giving expressionto that conception, andhowever far apart the Eastmay be from the West inmode of thinking or life,the highest ideals in artpoint to the same Jiro. LljillU KAIC c proper sphere of Japanese painting, showing amarked influence of the water-colour method ofthe West. However, after deliberation the judgesawarded one of the second prizes, 4000 lire,
International studio . A nobles 72 BY HOBUN KIKUCHI Art School Notes. impressed me more deeplythan ever with the convic-tion that however differentmay be the conception ofart, or the technique em-ployed in giving expressionto that conception, andhowever far apart the Eastmay be from the West inmode of thinking or life,the highest ideals in artpoint to the same Jiro. LljillU KAIC c proper sphere of Japanese painting, showing amarked influence of the water-colour method ofthe West. However, after deliberation the judgesawarded one of the second prizes, 4000 lire, to thepair of kakemono, Wild Ducks under the WinterMoon, by Imao Keinen, one of the recognisedmasters in Japan, though retired from the activearena. 85^ Painting in oil after the Western style failed tomake any favourable impression upon the critics,but they assured us that our oil painters are on theright path, and that if they continue their sincereefforts they may some day win recognition in theWest. Those of us whohave jealously watchedthe development of our oilpaintings from the
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