The masterpieces of the Centennial international exhibition of 1876 .. . On the moresome of the designsspecimen of Furni- 193 THE INTERNATIONAL EXHIBITION, 1876. TURE Silk from the Collective Exhibit of France, shown on page 193. The two groups in the medal-lions are the work of anartist. Indeed, it is morethan likely that as elab-orate and varied a designas this is the work ofseveral hands. Probablyone man designed thescroll-pattern, anotherfilled in the wreaths ofHowers and leaves, anda third furnished thefigures. It is quite com-mon in Europe, in thelarger establishments, todivide the work


The masterpieces of the Centennial international exhibition of 1876 .. . On the moresome of the designsspecimen of Furni- 193 THE INTERNATIONAL EXHIBITION, 1876. TURE Silk from the Collective Exhibit of France, shown on page 193. The two groups in the medal-lions are the work of anartist. Indeed, it is morethan likely that as elab-orate and varied a designas this is the work ofseveral hands. Probablyone man designed thescroll-pattern, anotherfilled in the wreaths ofHowers and leaves, anda third furnished thefigures. It is quite com-mon in Europe, in thelarger establishments, todivide the work in thisway among the special-ists, whose talents aredirected and combinedby the chief draughts-man. Other examples ofFrench Furniture Silkare illustrated on page194. These came fromthe famous factory atBeauvais, and althoughthe patterns are verymuch less elaborate thanthe former specimen, theyare fully as good specimen on the right hand of the page is a particularly effective pieceof work. The plant has been conventionalized with such skill that each phase. INDUSTRIAL ART. 199 and aspect of its life has been preserved, and leaf, bud, blossom, and flowerintroduced with excellent effect. Still another illustration of design applied to textiles is seen in the beau-tiful Tapestries from the Belgium department, engraved on page 195. Here,indeed, the character of the work is of such a high degree of excellence thatit is brought within the sphere of the fine arts, and might properly be con-sidered under that head. It is by such combinations as these, where the genius


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Keywords: ., bookcentury1800, bookdecade1870, bookpublisherphila, bookyear1876