. Art in France. IP Si. FIG. 815.—A. SAUVAGE AND C. SARAZIN,ARCHITEtTS. VILLA AT COMPlfeCNE. (Pholo. ••IArchileclc) which nineteenth century art hadshown the greatest poverty wasin its apjplication of the samedecorative forms to woodenpanels, iron gates and chinavases. One of the originaHtiesof the modern style is that it hasmore respect for the quality of itsmaterial and turns it to betteraccount. Carries, Chaplet, De-laherche and many others haveproduced robust vases of enam-elled pottery, and have overlaidthem with rich colour. Laliquehas made jewels which rivalflowers and insects in grace
. Art in France. IP Si. FIG. 815.—A. SAUVAGE AND C. SARAZIN,ARCHITEtTS. VILLA AT COMPlfeCNE. (Pholo. ••IArchileclc) which nineteenth century art hadshown the greatest poverty wasin its apjplication of the samedecorative forms to woodenpanels, iron gates and chinavases. One of the originaHtiesof the modern style is that it hasmore respect for the quality of itsmaterial and turns it to betteraccount. Carries, Chaplet, De-laherche and many others haveproduced robust vases of enam-elled pottery, and have overlaidthem with rich colour. Laliquehas made jewels which rivalflowers and insects in grace andsplendour. Robert and Brandthave resuscitated iron-work, theone by hammering gate-panels,the other by forging delicate pieces of ornament. In spite of all the talent lavished on it, this new style is far fromfinding universal acceptance. This is because the society for whichartists produce their work is much more difficult to conquer than inthe time when it was limited to the narrow circle of the court andthe c
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart
