. Orchestration . All these and many others were demanded of the Basses. In theChoral Symphony they receive what we may call their final apotheosis,for there they are selected to be the representative voice of theorchestra through which it utters its pleading, its remonstrances, andits contentment. Cellos andBasses. EXAMPLE 285. In the manner of a Recitative but in tempo. Beethoven. Choral y ^ 1In this example the harmony is held by a thick ensemble of Oboes, Clarinets,Bassoons, Horns, and Trombones, while the other Strings play repeated notes (tripletsto each crochet). The Violins
. Orchestration . All these and many others were demanded of the Basses. In theChoral Symphony they receive what we may call their final apotheosis,for there they are selected to be the representative voice of theorchestra through which it utters its pleading, its remonstrances, andits contentment. Cellos andBasses. EXAMPLE 285. In the manner of a Recitative but in tempo. Beethoven. Choral y ^ 1In this example the harmony is held by a thick ensemble of Oboes, Clarinets,Bassoons, Horns, and Trombones, while the other Strings play repeated notes (tripletsto each crochet). The Violins and Violas are muted. 456 ORCHESTRATION
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