BELLOTTO, Bernardo (b. 1720, Venezia, d. 1780, Warszawa) Capriccio of the Capital 1743-44 Oil on canvas Galleria Nazionale, Parma The painting is part of a cycle of four canvases which are similar in shape and subject matter. The young Bellotto painted them during a seminal visit to Rome. Gradually, he was to move away from the faithful view of glimpses of Roman monuments. Instead he favoured the freer capriccio or imaginary view. This still included real buildings (which were truthfully reproduced) but they were set in an eclectic combination of invented architecture which in turn was given
BELLOTTO, Bernardo (b. 1720, Venezia, d. 1780, Warszawa) Capriccio of the Capital 1743-44 Oil on canvas Galleria Nazionale, Parma The painting is part of a cycle of four canvases which are similar in shape and subject matter. The young Bellotto painted them during a seminal visit to Rome. Gradually, he was to move away from the faithful view of glimpses of Roman monuments. Instead he favoured the freer capriccio or imaginary view. This still included real buildings (which were truthfully reproduced) but they were set in an eclectic combination of invented architecture which in turn was given an evocative setting. Such capricci were very popular at the time. --- Keywords: -------------- Author: BELLOTTO, Bernardo Title: Capriccio of the Capital Time-line: 1751-1800 School: Italian Form: painting Type: landscape
Size: 3584px × 4120px
Photo credit: © Carlo Bollo / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: art, artwork, historical, history, paint, painter, painting, paintings
